thibaut de ruyter is a french-german architect, curator and critic.
he lives and works in berlin since 2001.
as a trained architect, he conceives exhibitions on conceptual, technical and spatial level, delivering not only the content but the design of his projects. his interests are based on new media and their archeology, the relationship between art and architecture (mostly through a critic of modernity) and, since eight years, the artistic scene in post-soviet countries and particularly in central asia.
since 2007, thibaut de ruyter is a member of the aica-france and a board member of the nan hoover foundation.
he lives and works in berlin since 2001.
as a trained architect, he conceives exhibitions on conceptual, technical and spatial level, delivering not only the content but the design of his projects. his interests are based on new media and their archeology, the relationship between art and architecture (mostly through a critic of modernity) and, since eight years, the artistic scene in post-soviet countries and particularly in central asia.
since 2007, thibaut de ruyter is a member of the aica-france and a board member of the nan hoover foundation.
he curated or co-curated among others the exhibitions «investigating evp» (resonance fm, london 2006), «weniger geld, mehr liebe» (tmp-deluxe, berlin 2008), «wach sind nur die geister» (with inke arns, hmkv, dortmund 2009 & coca, torun 2010), «nam june paik award 2010» (museum kunstpalat dsseldorf 2010) & «nam june paik award 2012» (kunstmuseum, bochum 2012), «ghosts off the shelf» (kunstraum kreuzberg/bethanien - ctm-festival, berlin 2012), «the empty house» (museum angewandte kunst, frankfurt/main 2013), «INDUSTRIAL (research)» (with inke arns, hmkv, dortmund 2013), «BER-DTM-HNL...» (with inke arns, hmkv, dortmund 2014), «richard meier - ein stilraum» (museum angewandte kunst, frankfurt/main 2015), «artificial intelligence (digitale demenz)» (eigen+art lab, berlin 2015) and «(art) upside down» (aluan, almaty 2015).
in 2019, on the occasion of the 100 birthday of the bauhaus in germany, he co-curated with marjolaine levy the exhibition «26 x bauhaus» that was to be seen in berlin, bremen and munich.
in 2019, on the occasion of the 100 birthday of the bauhaus in germany, he co-curated with marjolaine levy the exhibition «26 x bauhaus» that was to be seen in berlin, bremen and munich.
he curated, in 2021, the 14th museum biennale in krasnoyarsk (siberia). under the title «ochumelaya vystavka», an exhibition where berlin-based artists where asked to send instructions for the production of artworks by the inhabitants, artists and museum goers from the city. starting as a reaction to travel restrictions it became a deep questioning of the way contemporary art is produced.
he is (or has been) a regular contributor to the magazines l'architecture d’aujourd’hui, artpress, il giornale dell'architettura, particules, fucking good art, frieze d/e, architectuul, published texts in catalogues and directed two special issues of artpress, one about berlin and another on art & prostitution. he edited or co-edited the books: »zeitgeist« (archive books, berlin), industrial on tour and industrial (research) (revolver verlag, berlin) and stadtbild (verbrecher verlag, berlin).
he is (or has been) a regular contributor to the magazines l'architecture d’aujourd’hui, artpress, il giornale dell'architettura, particules, fucking good art, frieze d/e, architectuul, published texts in catalogues and directed two special issues of artpress, one about berlin and another on art & prostitution. he edited or co-edited the books: »zeitgeist« (archive books, berlin), industrial on tour and industrial (research) (revolver verlag, berlin) and stadtbild (verbrecher verlag, berlin).
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photo by bella sabirova, tashkent 2019
impressum
photographers from this website: stefan arendt (nam june paik award, düsseldorf), thibaut de ruyter, eric jobs (nam june paik award, bochum), thomas wucherpfening (wach sind nur die geister), veronica vogelsang (the empty house), dieter leistner (museum angewandte kunst), pierre-etienne morelle (nun), yoko dupuis (ber-dtm-hnl, hmkv), anja jahn (richard meier, ein stilraum), otto felber (artificial intelligence), halina kliem (aluan, zeitgeist), paula g. vidal (neue neue-nationalgalerie), vincent everarts (chemin de fer), piotr tomczyk (&), aleksey kubasov (die grenze), thomas bruns (26 x bauhaus), christoph püschner (welcome to #bebeethoven), kai werner schmidt (nan hoover, metropolis), aleksey myslitsky (ochumelaya vystavka), jannis wiebusch (was ist kunst, irwin?) and a few others.
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At thibaut de ruyter, accessible from www.thibautderuyter.com, one of our main priorities is the privacy of our visitors. This Privacy Policy document contains types of information that is collected and recorded by thibaut de ruyter and how we use it.
If you have additional questions or require more information about our Privacy Policy, do not hesitate to contact us.
Log Files
thibaut de ruyter follows a standard procedure of using log files. These files log visitors when they visit websites. All hosting companies do this and a part of hosting services' analytics. The information collected by log files include internet protocol (IP) addresses, browser type, Internet Service Provider (ISP), date and time stamp, referring/exit pages, and possibly the number of clicks. These are not linked to any information that is personally identifiable. The purpose of the information is for analyzing trends, administering the site, tracking users' movement on the website, and gathering demographic information. Our Privacy Policy was created with the help of the Privacy Policy Generator.
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